Browsing CompAesth 05: Workshop on Computational Aesthetics by Title
Now showing items 5-24 of 28
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Color Search and Replace
(The Eurographics Association, 2005)We present an interactive image enhancement technique to adjust the global color composition of an image by finding and replacing color gradients. We show how color gradient transformations can perform the basic operations ... -
Color Style Transfer Techniques using Hue, Lightness and Saturation Histogram Matching
(The Eurographics Association, 2005)We present new methods which transfer the color style of a source image into an arbitrary given target image having a different 3D color distribution. The color transfer has a high importance ensuring a wide area of ... -
Computational Automotive Color Appearance
(The Eurographics Association, 2005)A computer graphic system has been developed that permits the interactive design of new automotive finishes. The software makes use of a reflection model for car paint that is based on industry standards for measuring the ... -
Computational Color Harmony based on Coloroid System
(The Eurographics Association, 2005)This paper presents experimentally based rules and methods for the creation of harmonic color sets. First, dichromatic rules are presented which concern the harmony relationships of two hues. For an arbitrarily given hue ... -
Computer Aided Color Appearance Design using Environment Map Based Lighting
(The Eurographics Association, 2005)A BRDF approximation is developed that is suitable for interactive color appearance design in direct lighting provided by environment maps. The BRDFs are approximated as a linear combination of cosine lobes with a fixed ... -
Computer Generated Stereoscopic Artwork
(The Eurographics Association, 2005)The focus of this work is to investigate and simulate artistic techniques in stereoscopy that go beyond stereo photography, such as stereoscopic painting. We briefly discuss the topic from a stereo artist s perspective and ... -
Defining Computational Aesthetics
(The Eurographics Association, 2005)This paper attempts to define the discipline of Computational Aesthetics in the context of computer science, partly reflecting the contributions and comprehensive discussions of the first EG Workshop on Computational ... -
Designing Metrics for the Purpose of Aesthetically Evaluating
(The Eurographics Association, 2005)The algorithmic and evolutionary art movements within computer-generated art have helped spur interest in evaluating images on the basis of their aesthetic merit. When attempting to use non-interactive techniques to address ... -
Enhancing Perceived Depth in Images Via Artistic Matting
(The Eurographics Association, 2005)We present an algorithm for the addition of artistic mattes to digital images for the purpose of enhancing the sense of depth in the image. We provide examples exploring color and double mattes as well as report the results ... -
Fast Techniques for Mosaic Rendering
(The Eurographics Association, 2005)Art often provides valuable hints for technological innovations especially in the field of Image Processing and Computer Graphics. In this paper we survey in an unified framework three methods to transform a raster input ... -
Form Follows Function: Aesthetic Interactive Labels
(The Eurographics Association, 2005)Labels effectively convey co-referential relations between textual and visual elements and are a powerful tool to support learning tasks. Therefore, almost all illustrations in scientific or technical documents employ a ... -
A Generative Model For Dynamic Canvas Motion
(The Eurographics Association, 2005)We present techniques for constructing realistic canvas and paper models and for enabling interactive dynamic canvas motion. Dynamic canvas motion means that there is a correspondence between the motion of canvas features ... -
Global Contrast Factor - a New Approach to Image Contrast
(The Eurographics Association, 2005)Contrast in image processing is usually defined as a ratio between the darkest and the brightest spots of an image. In this paper we introduce a different contrast definition. The newly introduced Global Contrast Factor ... -
Illustrative Scientific Visualization Framework
(The Eurographics Association, 2005)Current scientific visualization techniques create complex images that may be difficult to interpret and do not have the expressiveness of illustrations. Incorporating traditional scientific illustration techniques into a ... -
Illustrative Visualization for Medical Training
(The Eurographics Association, 2005)A system is presented that produces images that simulate pictorial representations for both scientific and biomedical visualization. It combines traditional and novel volume illustration techniques. We present examples to ... -
An Information-Theoretic Framework for Image Complexity
(The Eurographics Association, 2005)In this paper, we introduce a new information-theoretic approach to study the complexity of an image. The new framework we present here is based on considering the information channel that goes from the histogram to the ... -
On Nonlinear Perspectives in Science, Art and Nature
(The Eurographics Association, 2005)Classic perspectives, i.e., central projections onto a plane, are extremely common in our days. Photos, movies, computer generated animations almost exclusively use this technique. They are linear since straight lines in ... -
On the Origins of the Term Computational Aesthetics
(The Eurographics Association, 2005)To provide some background, as well as a historical context, for the Eurographics 2005 Workshop on Graphics, Visualization and Imaging we provide a chronology, complete with references, covering various research activities ... -
A Palette-Driven Approach to Image Color Transfer
(The Eurographics Association, 2005)Color analysis of images for the purpose of color balancing, color contrast, and color correction is critical in image processing applications. Color analysis of images for the purpose of palette extraction has received ... -
Sketch Based Construction and Rendering of Implicit Models
(The Eurographics Association, 2005)We present an implicit modeling system as a tool for creating a wide range of aesthetic models. Because of their ability to form blends and produce both organic shapes as well as man-made objects, implicit surfaces are a ...