Now showing items 107-110 of 110

    • A War Torn Memory Palace: Animating narratives of remembrance 

      Kenderdine, Sarah; Mckenzie, Heidi (The Eurographics Association, 2013)
      ECLOUD WWI (2012) is a custom designed 9-metre by 3.5-metre interactive 3D projection environment and application developed by the Applied Laboratory for Interactive Visualization and Embodiment (ALIVE), City University ...
    • Web Visualization of Complex Reality-Based 3D Models with Nubes 

      Palacios, Belen Jimenez Fernandez; Stefani, Chiara; Lombardo, Julie; Luca, Livio de; Remondino, Fabio (The Eurographics Association, 2013)
      This paper discusses the fundamental issues of the real-time web-based visualization of complex reality-based 3D models. As web platform, we use NUBES, an innovative and powerful tool for sharing and analyzing reality-based ...
    • The West Digital Conservatory of Archaeological Heritage project 

      Barreau, Jean-Baptiste; Gaugne, Ronan; Bernard, Yann; Cloirec, Gaétan Le; Gouranton, Valérie (The Eurographics Association, 2013)
      The West Digital Conservatory of Archaeological Heritage project, a.k.a. WDCAH, is a new French research organization whose aim is to both ensure the preservation of digital archaeological data, and deliver expertise in ...
    • When script engravings reveal a semantic link between the conceptual and the spatial dimensions of a monument: the case of the Tomb of Emperor Qianlong. 

      Luca, Livio De; Busayarat, Chawee; Domenico, Francesca De; Lombardo, Julie; Pierrot-Deseilligny, Marc; Stefani, Chiara; Wang, Françoise (The Eurographics Association, 2013)
      Like most Chinese imperial tombs, the tomb of Emperor Qianlong consists of a suite of four rooms forming a underground space of 372 m2. Its originality lies in the inscriptions which are engraved on the walls and vaults ...