Prototyping Care: Two Case Studies

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dc.contributor.authorClay, Arthuren_US
dc.contributor.authorTrumpy, Giorgioen_US
dc.contributor.authorWeinmann, Michaelen_US
dc.contributor.authorWetzel, Richarden_US
dc.contributor.editorBucciero, Albertoen_US
dc.contributor.editorFanini, Brunoen_US
dc.contributor.editorGraf, Holgeren_US
dc.contributor.editorPescarin, Sofiaen_US
dc.contributor.editorRizvic, Selmaen_US
dc.date.accessioned2023-09-02T07:44:45Z
dc.date.available2023-09-02T07:44:45Z
dc.date.issued2023
dc.description.abstractTo enable a richer presentation of cultural heritage and its needs, a shift in how artworks are exhibited is necessary. This paper explores two case studies that highlight the significant role of reproductions in showcasing restoration processes and associated technologies. This approach raises awareness about concepts of care and authenticity and their impact. It goes beyond merely displaying restored digital images that fail to capture the true state of the artworks or the artist's original intent. To achieve this, we propose employing glass layers or lenticular print technology, allowing a restored version of the artwork's original state while maintaining the ability to view the original artwork and restoration process separately.en_US
dc.description.sectionheadersPosters and Demos
dc.description.seriesinformationEurographics Workshop on Graphics and Cultural Heritage
dc.identifier.doi10.2312/gch.20231178
dc.identifier.isbn978-3-03868-217-2
dc.identifier.issn2312-6124
dc.identifier.pages189-190
dc.identifier.pages2 pages
dc.identifier.urihttps://doi.org/10.2312/gch.20231178
dc.identifier.urihttps://diglib.eg.org:443/handle/10.2312/gch20231178
dc.publisherThe Eurographics Associationen_US
dc.rightsAttribution 4.0 International License
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.titlePrototyping Care: Two Case Studiesen_US
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GCH 2023 - Eurographics Workshop on Graphics and Cultural Heritage