dc.contributor.author	Lockyer, Matt	en_US
dc.contributor.author	Bartram, Lyn	en_US
dc.contributor.editor	Douglas Cunningham and Donald House	en_US
dc.date.accessioned	2013-10-22T07:12:45Z
dc.date.available	2013-10-22T07:12:45Z
dc.date.issued	2012	en_US
dc.description.abstract	Visual artists and designers frequently use carefully crafted motion textures patterns of ambient motion throughout a scene to imbue the atmosphere with affect. The design of such ambient visual cues is an elusive topic that has been studied by painters, theatre directors, scenic designers, lighting designers, filmmakers, producers, and artists for years. Recent research shows that such motion textures have the capacity to be both perceptually efficient and powerfully evocative, but adding them to scenes requires careful manipulation by hand : no tools currently exist to facilitate this integration. In this paper we describe the design and development of the aMotion toolkit: a palette of composable motion brushes for image and video based on our affective motion research. We discuss insights from an on-going qualitative study with professional visual effects de-signers into how such capabilities can enhance their current practice.	en_US
dc.description.seriesinformation	Computational Aesthetics in Graphics, Visualization, and Imaging	en_US
dc.identifier.isbn	978-3-905674-43-9	en_US
dc.identifier.issn	1816-0859	en_US
dc.identifier.uri	https://doi.org/10.2312/COMPAESTH/COMPAESTH12/035-043	en_US
dc.publisher	The Eurographics Association	en_US
dc.subject	Categories and Subject Descriptors I.3.3 [Computer Graphics]: Animation, perception, affective user interfaces, information visualization	en_US
dc.title	The aMotion Toolkit: Painting with Affective Motion Textures	en_US

The aMotion Toolkit: Painting with Affective Motion Textures

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