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dc.contributor.authorTauscher, Jan-Philippen_US
dc.contributor.authorWenger, Stephanen_US
dc.contributor.authorMagnor, Marcusen_US
dc.contributor.editorMichael Bronstein and Jean Favre and Kai Hormannen_US
dc.description.abstractWe propose a method for synthesizing a novel soundtrack from an existing musical piece while preserving its structure and continuity from a music theoretical point of view. Existing approaches analyze a musical piece for possible cut points that allow the resynthesis of a novel soundtrack by lining up the source segments according to specified rules but fail to maintain musically correct song progression. Introducing the alignment of rhythmic and harmonic structures during transition point detection, we employ beat tracking as the analysis core component and take the human sound perception into account. Automatic segment rearrangement is improved by employing a novel belief propagation approach that enables user-defined constraints for the output soundtrack, allowing video editors or dance choreographers to tailor a soundtrack to their specific demands.en_US
dc.publisherThe Eurographics Associationen_US
dc.subjectI.3.8 [Computer Graphics]en_US
dc.subjectH.5.5 [Information Interfaces and Presentation]en_US
dc.subjectSound and Music Computingen_US
dc.subjectSignal analysisen_US
dc.subjectsynthesis and processingen_US
dc.subjectJ.5 [Arts and Humanities]en_US
dc.subjectPerforming Artsen_US
dc.titleAudio Resynthesis on the Dancefloor: A Music Structural Approachen_US
dc.description.seriesinformationVision, Modeling & Visualizationen_US

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  • VMV13
    ISBN 978-3-905674-51-4

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