CompAesth 09: Workshop on Computational Aesthetics

Eurographics DL Repository

CompAesth 09: Workshop on Computational Aesthetics

 

Recent Submissions

  • Bartram, Lyn; Nakatani, Ai (The Eurographics Association, 2009)
    Recent work has shown the potential of basic perceptual properties of motion for notification, association and visual search. Yet evidence from fields as diverse as perceptual science, social psychology and the performing ...
  • Deussen, Oliver (The Eurographics Association, 2009)
    In this paper we describe a computational method for producing aesthetically pleasing distributions of disks on a canvas. The positions of the disks are initially given at random and are moved into interesting configurations ...
  • Wallraven, Christian; Cunningham, Douglas W.; Rigau, Jaume; Feixas, Miquel; Sbert, Mateu (The Eurographics Association, 2009)
    By looking at a work of art, an observer enters into a dialogue. In this work, we attempt to analyze this dialogue with both behavioral and computational tools. In two experiments, observers were asked to look at a large ...
  • Dodgson, Neil A.; Grundland, Mark; Vohra, Rahul (The Eurographics Association, 2009)
    We implement contrast brushes, an interactive method for directly brushing contrast adjustments onto an image. The adjustments are performed by a histogram warping approach that implements tone mapping using piecewisedefined, ...
  • Kalaidjian, Alex; Kaplan, Craig S.; Mann, Stephen (The Eurographics Association, 2009)
    We present a system that can generate convincing synthetic landscape paintings with no user intervention whatsoever, nor any information about 3D geometry or lighting. The system is based on a direct implementation of ...
  • Grimm, Cindy (The Eurographics Association, 2009)
    Real paintings are not truly flat but change subtly with variations in viewing direction. The pigments and painting layers also interact with the lighting environment, producing changes that range from subtle to quite ...
  • Li, Chuan; Hall, Peter; Willis, Philip (The Eurographics Association, 2009)
    Non-linear camera models are playing an increasingly important role in computer graphics, especially in image based rendering and non-photorealistic rendering. We introduce ARTcams as simple non-linear cameras, which are ...
  • Brooks, Stephen (The Eurographics Association, 2009)
    We present the first method for the generation of posters directly from video, borrowing the layout and composition from existing poster exemplars as a guide. Our system analyzes a given poster by determining face locations ...
  • Kim, Min H.; Kautz, Jan (The Eurographics Association, 2009)
    Flash photography is commonly used in low-light conditions to prevent noise and blurring artifacts. However, flash photography commonly leads to a mismatch between scene illumination and flash illumination, due to the ...
  • Sudarsanam, Nisha; Grimm, Cindy; Singh, Karan (The Eurographics Association, 2009)
    We present CubeCam, an image-space camera manipulation widget that uses a projected cube to both visualize the relationship of the camera to the scene and as an interaction tool to change that camera. The cube geometry ...
  • Pohl, Mathias; Schmitt, Markus; Diehl, Stephan (The Eurographics Association, 2009)
    In this paper we present the results of a user study comparing the readability of force-directed, orthogonal, and hierarchical graph layouts. To this end we identified prototypical tasks which are solved using visual ...
  • Spehr, Marcel; Wallraven, Christian; Fleming, Roland W. (The Eurographics Association, 2009)
    Untrained observers readily cluster paintings from different art periods into distinct groups according to their overall visual appearance or 'look' [WCF08]. These clusters are typically influenced by both the content of ...
  • Jepp, Pauline; Araujo, Bruno; Jorge, Joaquim; Wyvill, Brian; Sousa, Mario Costa (The Eurographics Association, 2009)
    In this paper we present an extension to a hierarchical tree based implicit surface modelling system that includes interactively controlling style and appearance, and also creating a more accurate curvature based polygonal ...
  • Akagi, Yasuhiro; Kataama, Mitsunori; Kitajima, Katsuhiro (The Eurographics Association, 2009)
    In this paper, we propose a non-photorealistic rendering (NPR) framework for creating landscape art in traditional animation. The proposed method is based on painting techniques for landscape arts, which enables a user ...
  • Bratkova, Margarita; Thompson, William B.; Shirley, Peter (The Eurographics Association, 2009)
    Automatic generation of well-composed and purposeful images is useful in a variety of computer graphics applications. In this work, we explore a set of criteria based on utility, perception, and aesthetics applicable to ...
  • Seo, SangHyun; Park, JinWan; Yoon, KyungHyun (The Eurographics Association, 2009)
    We present a method for producing painting-like images composed of predefined brush strokes. Our proposed method is based on image retrieval method and uses a stroke database. The stroke database consists of transformed ...
  • Teoh, Soon Tee (The Eurographics Association, 2009)
    Many ancient East Asian buildings are noted for their immense beauty and intricate design. We introduce a graphics modeling library based on a generalized procedural description we formulated to describe East Asian ...
  • Xu, Ling; Mould, David (The Eurographics Association, 2009)
    We describe 'magnetic curves', a particle-tracing method that creates curves with constantly changing curvature. It is well known that charged particles in a constant magnetic field trace out circular or helical trajectories. ...

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