Denecker, K.De Neve, P.Van Assche, S.Van de Walle, R.Lemahieu, I.Philips, W.2015-02-162015-02-1620021467-8659https://doi.org/10.1111/1467-8659.t01-1-00561In the digital prepress workflow, images are represented in the CMYK colour space. Lossy image compression alleviates the need for high storage and bandwidth capacities, resulting from the high spatial and tonal resolution. After the image has been printed on paper, the introduced visual quality loss should not be noticeable to a human observer. Since visual image quality depends on the compression algorithm both quantitatively and qualitatively, and since no visual image quality models incorporating the end-to-end image reproduction process are satisfactory, an experimental comparison is the only viable way to quantify subjective image quality. This paper presents the results from an intensive psychovisual study based on a two-alternative forced-choice approach involving 164 people, with expert and non-expert observers distinguished. The primary goal is to evaluate two previously published adaptations of JPEG to CMYK images, and to determine a visually lossless compression ratio threshold for typical printing applications. The improvements are based on tonal decorrelation and overlapping block transforms. Results on three typical prepress test images indicate that the proposed adaptations are useful and that for the investigated printing configuration, compression ratios up to 20 can be used safely.10.1111/1467-8659.t01-1-005615-18