Pescarin, SofiaAga, BirgitteKiyomoto, I. Y. ArteagaBarandoni, CristianaBonifazi, FedericaBoracchi, Beatrice G.Burgio, LuciaCerato, IvanaCiortan, IrinaClay, ArthurFanini, BrunoFedon, Gemma ChiaraFerdani, DanieleGraf, HolgerHardeberg, Jon Y.Magrini, DonataMassidda, MarcelloPanteleris, PaschalisPapadopoulos, GiorgosPitikakis, MariosSandu, I. C. A.Neil, S. N. SinhaSiozos, P.Sotiropoulou, S.Spotti, S.Stavroulakis, P.Travaglini, L.Trumpy, G.Veggi, M.Campana, StefanoFerdani, DanieleGraf, HolgerGuidi, GabrieleHegarty, ZackaryPescarin, SofiaRemondino, Fabio2025-09-052025-09-052025978-3-03868-277-6https://doi.org/10.2312/dh.20253350https://diglib.eg.org/handle/10.2312/dh20253350PERCEIVE (Perceptive Enhanced Realities of Coloured Collections through AI and Virtual Experiences) is an European project dedicated to the study, analysis, interpretation, reconstruction, conservation and communication of colours in artwork and historical objects, within five different scenarios, including: lost polychromy of ancient sculptures, fading colours of paintings and works on arts, of textiles, of historical photo and film collections and colour of digital born art. This paper describes the methodology and presents the main results beyond the state of the art.Attribution 4.0 International LicenseCCS Concepts: Human-centered computing → User interface toolkits; Empirical studies in HCI; Computer systems organization → Neural networks; Computing methodologies → 3D imagingHuman centered computing → User interface toolkitsEmpirical studies in HCIComputer systems organization → Neural networksComputing methodologies → 3D imaging10.2312/dh.2025335010 pages