Ciccotti, CaterinaCampana, StefanoFerdani, DanieleGraf, HolgerGuidi, GabrieleHegarty, ZackaryPescarin, SofiaRemondino, Fabio2025-09-052025-09-052025978-3-03868-277-6https://doi.org/10.2312/dh.20253038https://diglib.eg.org/handle/10.2312/dh20253038This paper presents a digital archiving project for the Sanctuary of Madonna di Garufo (Central Italy), damaged in the 2016 earthquake. Developed within a doctoral research framework, the initiative aims to document and preserve a multi-type corpus produced during the restoration process. Implemented on the Omeka S platform, the model adopts international standards (Dublin Core, ISAD(G), RiC-CM) and aligns with best practices for long-term preservation (PREMIS). The project proposes a replicable model for managing cultural heritage documentation through interoperable technologies and community engagement, promoting cultural resilience in post-disaster contexts.Attribution 4.0 International LicenseCCS Concepts: Computing methodologies → Collision detection; Hardware → Sensors and actuators; PCB design and layoutComputing methodologies → Collision detectionHardware → Sensors and actuatorsPCB design and layoutDigital Memory as a Tool for Critical Knowledge in Restoration: a digital archive with Omeka S10.2312/dh.202530383 pages