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Item A Multifragment Renderer for Material Aging Visualization(The Eurographics Association, 2018) Adamopoulos, Georgios; Moutafidou, Anastasia; Drosou, Anastasios; Tzovaras, Dimitrios; Fudos, Ioannis; Jain, Eakta and Kosinka, JiríPeople involved in curatorial work and in preservation/conservation tasks need to understand exactly the nature of aging and to prevent it with minimal preservation work. In this scenario, it is of extreme importance to have tools to produce and visualize digital representations and models of visual surface appearance and material properties, to help the scientist understand how they evolve over time and under particular environmental conditions. We report on the development of a multifragment renderer for visualizing and combining the results of simulated aging of artwork objects. Several natural aging processes manifest themselves through change of color, fading, deformations or cracks. Furthermore, changes in the materials underneath the visible layers may be detected or simulated.Item A Survey on Video-based Graphics and Video Visualization(The Eurographics Association, 2011) Borgo, Rita; Chen, Min; Daubney, Ben; Grundy, Edward; Heidemann, Gunther; Höferlin, Benjamin; Höferlin, Markus; Jänicke, Heike; Weiskopf, Daniel; Xie, Xianghua; N. John and B. WyvillIn recent years, a collection of new techniques which deal with video as input data, emerged in computer graphics and visualization. In this survey, we report the state of the art in video-based graphics and video visualization. We provide a comprehensive review of techniques for making photo-realistic or artistic computer-generated imagery from videos, as well as methods for creating summary and/or abstract visual representations to reveal important features and events in videos. We propose a new taxonomy to categorize the concepts and techniques in this newlyemerged body of knowledge. To support this review, we also give a concise overview of the major advances in automated video analysis, as some techniques in this field (e.g., feature extraction, detection, tracking and so on) have been featured in video-based modeling and rendering pipelines for graphics and visualization.Item Automatic Portrait Segmentation for Image Stylization(The Eurographics Association and John Wiley & Sons Ltd., 2016) Shen, Xiaoyong; Hertzmann, Aaron; Jia, Jiaya; Paris, Sylvain; Price, Brian; Shechtman, Eli; Sachs, Ian; Joaquim Jorge and Ming LinPortraiture is a major art form in both photography and painting. In most instances, artists seek to make the subject stand out from its surrounding, for instance, by making it brighter or sharper. In the digital world, similar effects can be achieved by processing a portrait image with photographic or painterly filters that adapt to the semantics of the image. While many successful user-guided methods exist to delineate the subject, fully automatic techniques are lacking and yield unsatisfactory results. Our paper first addresses this problem by introducing a new automatic segmentation algorithm dedicated to portraits. We then build upon this result and describe several portrait filters that exploit our automatic segmentation algorithm to generate high-quality portraits.Item EUROGRAPHICS 2017: Dirk Bartz Prize Frontmatter(Eurographics Association, 2017) Bruckner, Stefan; Ropinski, Timo;Item Example-based Interpolation and Synthesis of Bidirectional Texture Functions(The Eurographics Association and Blackwell Publishing Ltd., 2013) Ruiters, Roland; Schwartz, Christopher; Klein, Reinhard; I. Navazo, P. PoulinBidirectional Texture Functions (BTF) have proven to be a well-suited representation for the reproduction of measured real-world surface appearance and provide a high degree of realism. We present an approach for designing novel materials by interpolating between several measured BTFs. For this purpose, we transfer concepts from existing texture interpolation methods to the much more complex case of material interpolation. We employ a separation of the BTF into a heightmap and a parallax compensated BTF to cope with problems induced by parallax, masking and shadowing within the material. By working only on the factorized representation of the parallax compensated BTF and the heightmap, it is possible to efficiently perform the material interpolation. By this novel method to mix existing BTFs, we are able to design plausible and realistic intermediate materials for a large range of different opaque material classes. Furthermore, it allows for the synthesis of tileable and seamless BTFs and finally even the generation of gradually changing materials following user specified material distribution maps.Item Inverse Computational Spectral Geometry(The Eurographics Association, 2022) Rodolà, Emanuele; Cosmo, Luca; Ovsjanikov, Maks; Rampini, Arianna; Melzi, Simone; Bronstein, Michael; Marin, Riccardo; Hahmann, Stefanie; Patow, Gustavo A.In the last decades, geometry processing has attracted a growing interest thanks to the wide availability of new devices and software that make 3D digital data available and manipulable to everyone. Typical issues faced by geometry processing algorithms include the variety of discrete representations for 3D data (point clouds, polygonal or tet-meshes and voxels), or the type of deformation this data may undergo. Powerful approaches to address these issues come from looking at the spectral decomposition of canonical differential operators, such as the Laplacian, which provides a rich, informative, robust, and invariant representation of the 3D objects. The focus of this tutorial is on computational spectral geometry. We will offer a different perspective on spectral geometric techniques, supported by recent successful methods in the graphics and 3D vision communities and older but notoriously overlooked results. We will discuss both the “forward” path typical of spectral geometry pipelines (e.g. computing Laplacian eigenvalues and eigenvectors of a given shape) with its widespread applicative relevance, and the inverse path (e.g. recovering a shape from given Laplacian eigenvalues, like in the classical “hearing the shape of the drum” problem) with its ill-posed nature and the benefits showcased on several challenging tasks in graphics and geometry processing.Item EUROGRAPHICS 2020: Short Papers Frontmatter(Eurographics Association, 2020) Wilkie, Alexander; Banterle, Francesco; Wilkie, Alexander and Banterle, FrancescoItem The Use of Photogrammetry in Historic Preservation Curriculum: A Comparative Case Study(The Eurographics Association, 2024) Kepczynska-Walczak, Anetta; Walczak, Bartosz M.; Zarzycki, Andrzej; Sousa Santos, Beatriz; Anderson, EikeComputer graphic techniques have emerged as a key player in digital heritage preservation and its dissemination. Photogrammetry allows for high-fidelity captures and virtual reconstructions of the built environment that can be further ported into virtual reality (VR) and augmented reality (AR) experiences. This paper provides a comparative analysis of historic details and building documentation methods in heritage preservation in the context of architectural education. Specifically, it compares two educational case studies conducted in 10-year intervals documenting the same set of historic artifacts with corresponding state-of-the-art digital technologies. The methodology for this paper is a qualitative comparative analysis of two surveying projects that utilized distinct emerging digital technology while sharing the same study subjects and similar tool-driven curricular framework. The research also incorporates a student survey, offering perspectives on teaching strategies and outcomes within this dynamic educational context. The outcomes demonstrate that the technological (tool-driven) shift impacts the way students interact with the investigated artifacts and the changing role of the interpretative versus analytical skills needed to delineate the work. It also changes what are considered primary and secondary knowledge sources.Item Geometry and Attribute Compression for Voxel Scenes(The Eurographics Association and John Wiley & Sons Ltd., 2016) Dado, Bas; Kol, Timothy R.; Bauszat, Pablo; Thiery, Jean-Marc; Eisemann, Elmar; Joaquim Jorge and Ming LinVoxel-based approaches are today's standard to encode volume data. Recently, directed acyclic graphs (DAGs) were successfully used for compressing sparse voxel scenes as well, but they are restricted to a single bit of (geometry) information per voxel. We present a method to compress arbitrary data, such as colors, normals, or reflectance information. By decoupling geometry and voxel data via a novel mapping scheme, we are able to apply the DAG principle to encode the topology, while using a palette-based compression for the voxel attributes, leading to a drastic memory reduction. Our method outperforms existing state-of-the-art techniques and is well-suited for GPU architectures. We achieve real-time performance on commodity hardware for colored scenes with up to 17 hierarchical levels (a 128K3 voxel resolution), which are stored fully in core.Item PhD Education Through Apprenticeship(The Eurographics Association, 2011) Patel, Daniel; Gröller, M. Eduard; Bruckner, Stefan; S. Maddock and J. JorgeWe describe and analyze the PhD education in the visualization group at the Vienna University of Technology and set the education in a larger perspective. Four central mechanisms drive the PhD education in Vienna. They are: to require an article-based PhD; to give the student freedom to choose research direction; to let students work in shared offices towards joint deadlines; and to involve students in reviewing articles. This paper describes these mechanisms in detail and illustrates their effect.