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Has files: true × Author: Seidel, Hans-Peter × End date: 2019 ×

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Now showing 1 - 10 of 34
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    Using Procedural RenderMan Shaders for Global Illurnination
    (Blackwell Science Ltd and the Eurographics Association, 1995) Slusallek, Philipp; Pflaum, Thomas; Seidel, Hans-Peter
    Global illumination techniques like radiosity or Monte-Carlo ray-tracing are becoming standard features of rendering systems. However, there is currently no accepted interface format which supports an appropriate physically-based scene description. In this paper we present extensions to the well-known RenderMan interface, which allow for a physically based scene description and support advanced global illumination techniques. Special emphasis has been laid on the support for procedural descriptions of reflection and emission by RenderMan surface shaders. So far, they could not be used with most global illumination algorithms. The extensions have been implemented in a physically-based rendering system and are illustrated with examples.
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    Interactive Motion Mapping for Real-time Character Control
    (The Eurographics Association and John Wiley and Sons Ltd., 2014) Rhodin, Helge; Tompkin, James; Kim, Kwang In; Varanasi, Kiran; Seidel, Hans-Peter; Theobalt, Christian; B. Levy and J. Kautz
    Abstract It is now possible to capture the 3D motion of the human body on consumer hardware and to puppet in real time skeleton-based virtual characters. However, many characters do not have humanoid skeletons. Characters such as spiders and caterpillars do not have boned skeletons at all, and these characters have very different shapes and motions. In general, character control under arbitrary shape and motion transformations is unsolved - how might these motions be mapped? We control characters with a method which avoids the rigging-skinning pipeline - source and target characters do not have skeletons or rigs. We use interactively-defined sparse pose correspondences to learn a mapping between arbitrary 3D point source sequences and mesh target sequences. Then, we puppet the target character in real time. We demonstrate the versatility of our method through results on diverse virtual characters with different input motion controllers. Our method provides a fast, flexible, and intuitive interface for arbitrary motion mapping which provides new ways to control characters for real-time animation.
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    Dynamic Display of BRDFs
    (The Eurographics Association and Blackwell Publishing Ltd., 2011) Hullin, Matthias B.; Lensch, Hendrik P. A.; Raskar, Ramesh; Seidel, Hans-Peter; Ihrke, Ivo; M. Chen and O. Deussen
    This paper deals with the challenge of physically displaying reflectance, i.e., the appearance of a surface and its variation with the observer position and the illuminating environment. This is commonly described by the bidirectional reflectance distribution function (BRDF). We provide a catalogue of criteria for the display of BRDFs, and sketch a few orthogonal approaches to solving the problem in an optically passive way. Our specific implementation is based on a liquid surface, on which we excite waves in order to achieve a varying degree of anisotropic roughness. The resulting probability density function of the surface normal is shown to follow a Gaussian distribution similar to most established BRDF models.
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    Modeling a Generic Tone-mapping Operator
    (The Eurographics Association and Blackwell Publishing Ltd, 2008) Mantiuk, Rafal; Seidel, Hans-Peter
    Although several new tone-mapping operators are proposed each year, there is no reliable method to validate their performance or to tell how different they are from one another. In order to analyze and understand the behavior of tone-mapping operators, we model their mechanisms by fitting a generic operator to an HDR image and its tone-mapped LDR rendering. We demonstrate that the majority of both global and local tone-mapping operators can be well approximated by computationally inexpensive image processing operations, such as a per-pixel tone curve, a modulation transfer function and color saturation adjustment. The results produced by such a generic tone-mapping algorithm are often visually indistinguishable from much more expensive algorithms, such as the bilateral filter. We show the usefulness of our generic tone-mapper in backward-compatible HDR image compression, the black-box analysis of existing tone mapping algorithms and the synthesis of new algorithms that are combination of existing operators.
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    Manipulating Refractive and Reflective Binocular Disparity
    (The Eurographics Association and John Wiley and Sons Ltd., 2014) Dabala, Lukasz; Kellnhofer, Petr; Ritschel, Tobias; Didyk, Piotr; Templin, Krzysztof; Myszkowski, Karol; Rokita, P.; Seidel, Hans-Peter; B. Levy and J. Kautz
    Presenting stereoscopic content on 3D displays is a challenging task, usually requiring manual adjustments. A number of techniques have been developed to aid this process, but they account for binocular disparity of surfaces that are diffuse and opaque only. However, combinations of transparent as well as specular materials are common in the real and virtual worlds, and pose a significant problem. For example, excessive disparities can be created which cannot be fused by the observer. Also, multiple stereo interpretations become possible, e. g., for glass, that both reflects and refracts, which may confuse the observer and result in poor 3D experience. In this work, we propose an efficient method for analyzing and controlling disparities in computer-generated images of such scenes where surface positions and a layer decomposition are available. Instead of assuming a single per-pixel disparity value, we estimate all possibly perceived disparities at each image location. Based on this representation, we define an optimization to find the best per-pixel camera parameters, assuring that all disparities can be easily fused by a human. A preliminary perceptual study indicates, that our approach combines comfortable viewing with realistic depiction of typical specular scenes.
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    NoRM: No-Reference Image Quality Metric for Realistic Image Synthesis
    (The Eurographics Association and John Wiley and Sons Ltd., 2012) Herzog, Robert; Cadík, Martin; Aydin, Tunç O.; Kim, Kwang In; Myszkowski, Karol; Seidel, Hans-Peter; P. Cignoni and T. Ertl
    Synthetically generating images and video frames of complex 3D scenes using some photo-realistic rendering software is often prone to artifacts and requires expert knowledge to tune the parameters. The manual work required for detecting and preventing artifacts can be automated through objective quality evaluation of synthetic images. Most practical objective quality assessment methods of natural images rely on a ground-truth reference, which is often not available in rendering applications. While general purpose no-reference image quality assessment is a difficult problem, we show in a subjective study that the performance of a dedicated no-reference metric as presented in this paper can match the state-of-the-art metrics that do require a reference. This level of predictive power is achieved exploiting information about the underlying synthetic scene (e.g., 3D surfaces, textures) instead of merely considering color, and training our learning framework with typical rendering artifacts. We show that our method successfully detects various non-trivial types of artifacts such as noise and clamping bias due to insufficient virtual point light sources, and shadow map discretization artifacts. We also briefly discuss an inpainting method for automatic correction of detected artifacts.
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    Perceptually-motivated Real-time Temporal Upsampling of 3D Content for High-refresh-rate Displays
    (The Eurographics Association and Blackwell Publishing Ltd, 2010) Didyk, Piotr; Eisemann, Elmar; Ritschel, Tobias; Myszkowski, Karol; Seidel, Hans-Peter
    High-refresh-rate displays (e. g., 120 Hz) have recently become available on the consumer market and quickly gain on popularity. One of their aims is to reduce the perceived blur created by moving objects that are tracked by the human eye. However, an improvement is only achieved if the video stream is produced at the same high refresh rate (i. e. 120 Hz). Some devices, such as LCD TVs, solve this problem by converting low-refresh-rate content (i. e. 50 Hz PAL) into a higher temporal resolution (i. e. 200 Hz) based on two-dimensional optical flow.In our approach, we will show how rendered three-dimensional images produced by recent graphics hardware can be up-sampled more efficiently resulting in higher quality at the same time. Our algorithm relies on several perceptual findings and preserves the naturalness of the original sequence. A psychophysical study validates our approach and illustrates that temporally up-sampled video streams are preferred over the standard low-rate input by the majority of users. We show that our solution improves task performance on high-refresh-rate displays.
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    Animating Pictures of Fluid using Video Examples
    (The Eurographics Association and Blackwell Publishing Ltd, 2009) Okabe, Makoto; Anjyo, Ken; Igarashi, Takeo; Seidel, Hans-Peter
    We propose a system that allows the user to design a continuous flow animation starting from a still fluid image. The basic idea is to apply the fluid motion extracted from a video example to the target image. The system first decomposes the video example into three components, an average image, a flow field and residuals. The user then specifies equivalent information over the target image. The user manually paints the rough flow field, and the system automatically refines it using the estimated gradients of the target image. The user semi-automatically transfers the residuals onto the target image. The system then approximates the average image and synthesizes an animation on the target image by adding the transferred residuals and warping them according to the user-specified flow field. Finally, the system adjusts the appearance of the resulting animation by applying histogram matching. We designed animations of various pictures, such as rivers, waterfalls, fires, and smoke.
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    Scalable Remote Rendering with Depth and Motion-flow Augmented Streaming
    (The Eurographics Association and Blackwell Publishing Ltd., 2011) Paja, Dawid; Herzog, Robert; Eisemann, Elmar; Myszkowski, Karol; Seidel, Hans-Peter; M. Chen and O. Deussen
    In this paper, we focus on efficient compression and streaming of frames rendered from a dynamic 3D model. Remote rendering and on-the-fly streaming become increasingly attractive for interactive applications. Data is kept confidential and only images are sent to the client. Even if the client's hardware resources are modest, the user can interact with state-of-the-art rendering applications executed on the server. Our solution focuses on augmented video information, e.g., by depth, which is key to increase robustness with respect to data loss, image reconstruction, and is an important feature for stereo vision and other client-side applications. Two major challenges arise in such a setup. First, the server workload has to be controlled to support many clients, second the data transfer needs to be efficient. Consequently, our contributions are twofold. First, we reduce the server-based computations by making use of sparse sampling and temporal consistency to avoid expensive pixel evaluations. Second, our data-transfer solution takes limited bandwidths into account, is robust to information loss, and compression and decompression are efficient enough to support real-time interaction. Our key insight is to tailor our method explicitly for rendered 3D content and shift some computations on client GPUs, to better balance the server/client workload. Our framework is progressive, scalable, and allows us to stream augmented high-resolution (e.g., HDready) frames with small bandwidth on standard hardware.
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    Mutable Elastic Models for Sculpting Structured Shapes
    (The Eurographics Association and Blackwell Publishing Ltd., 2013) Milliez, Antoine; Wand, Michael; Cani, Marie-Paule; Seidel, Hans-Peter; I. Navazo, P. Poulin
    In this paper, we propose a new paradigm for free-form shape deformation. Standard deformable models minimize an energy measuring the distance to a single target shape. We propose a new, ''mutable'' elastic model. It represents complex geometry by a collection of parts and measures the distance of each part measures to a larger set of alternative rest configurations. By detecting and reacting to local switches between best-matching rest states, we build a 3D sculpting system: It takes a structured shape consisting of parts and replacement rules as input. The shape can subsequently be elongated, compressed, bent, cut, and merged within a constraints-based free-form editing interface, where alternative rest-states model to such changes. In practical experiments, we show that the approach yields a surprisingly intuitive and easy to implement interface for interactively designing objects described by such discrete shape grammars, for which direct shape control mechanisms were typically lacking.