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Now showing items 11-18 of 18
Art Catalogue
(The Eurographics Association, 2008)
Computational Aesthetics '08: Arts Programme
Regularity and Randomness in Bridget Riley's Aarly Op Art
(The Eurographics Association, 2008)
I investigate the trade-off between regularity and randomness in Bridget Riley's early Op art, focusing on White Discs 2 (1964) and Fragment 6/9 (1965). I build on this to investigate the trade-off more generally. I analyse ...
Informational Dialogue with Van Gogh's Paintings
(The Eurographics Association, 2008)
From the pioneering work by Birkhoff, several measures have been proposed to quantify the aesthetic content of art. After Bense's application of information theory to Birkhoff's ideas, the concept of informational aesthetics ...
Modeling and Synthesis of Aperture Effects in Cameras
(The Eurographics Association, 2008)
In this paper we describe the capture, analysis, and synthesis of optical vignetting in conventional cameras. We analyze the spatially-varying point spread function (PSF) to accurately model the vignetting for any given ...
Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls
(The Eurographics Association, 2008)
This paper presents an approach for the automated, dynamic placement of labels attached to objects of 3D scenes. These labels are seamlessly integrated into the 3D scene by textured polygons aligned to parameterized hulls, ...
The Aesthetics of the Underworld
(The Eurographics Association, 2008)
Although the development of computational aesthetics has largely concentrated on 3D geometry and illustrative rendering, aesthetics are equally an important principle underlying 2D graphics and information visualization. ...
Applications of High Precision Imaging Polarimetry
(The Eurographics Association, 2008)
We propose the use of imaging polarimetry for general photography, which is a relatively young technique allowing the determination of polarized components of the light coming from extended objects or scenes. In this paper ...
Perceptual and Computational Categories in Art
(The Eurographics Association, 2008)
The categorization of art (paintings, literature) into distinct styles such as expressionism, or surrealism has had a profound influence on how art is presented, marketed, analyzed, and historicized. Here, we present results ...