Browsing DH2013 - Digital Heritage International Congress 2013 by Title

Now showing items 97-110 of 110

    • Temporal Terrestrial Laser Scanning to Visualize the Archaeological Excavation Process 

      Srour, David; Richter, Ashley; Levy, Thomas; Kuester, Falko (The Eurographics Association, 2013)
      Archaeology is a destructive science. Photographs and videos preserve some aspects of the sequence of events inherent within the archaeological excavation process, but cannot replicate the spatiality and detail of the ...

    • Tracing provenance of lost and found Cypriot Byzantine icons 

      Vassallo, Valentina; Kyriakou, Niki; Hermon, Sorin; Eliades, Ioannis (The Eurographics Association, 2013)
      This paper presents an ongoing research on the development of a WebGIS tool, based on a formal knowledge representation, able to trace the spatio-temporal paths of Cypriot Byzantine icons. Many were looted in the past, ...

    • Tutbury Castle : Recovering a period site 

      Inman, Laurence; Morris, Phil (The Eurographics Association, 2013)
      This paper proposes a method for virtual reconstruction of a ruin in three dimensions, using a number of sources. The case study that accompanies this paper shows an example of the virtual restoration of Tutbury castle in ...

    • Underwater photogrammetry for archaeology and marine biology.40 years of experience in Marseille, France 

      Drap, Pierre; Merad, Djamel; Seinturier, Julien; Mahiddine, Amine; Peloso, Daniela; Boi, Jean-Marc; Long, Luc; Garrabou, Joaquim (The Eurographics Association, 2013)
      Since 1973 archeology and computer science have developed close ties in Marseille. Two departments (computer science and archaeology) from the French National Centre for Scientific Research (CNRS) in Marseille started ...

    • A User Study of the Singapore Memory Portal to Derive a Taxonomy for Content Organization 

      Srieedar, J.; Khoo, Christopher S.G. (The Eurographics Association, 2013)
      Many memory institutions have set up online portals to provide public access to their heritage collections. However, little is known about how such portal interfaces should be designed and how the content should be organized ...

    • V-embodiment for Cultural Heritage 

      Flynn, Bernadette (The Eurographics Association, 2013)
      The paper argues that there is a need to consider sentient engagement in the digital expressions of cultural heritage. Focusing on full body 'natural interaction' the presentation looks at strategies for a phenomenological ...

    • The virtual concreteness of the architectural project. Ideas and experimentations for a digital archive of the Italian Masters work of the 20th century 

      Albisinni, Piero; Carlo, Laura De; Kantas, Prokopios; Mancini, Matteo Flavio; Moscarelli, Alessia; Mulla, Erald (The Eurographics Association, 2013)
      We propose to illustrate a methodological approach aimed to establish a "Digital archive of the Italian Masters work in the second half of the 20th century". To this end, we consider the architectural project from its ...

    • Virtual Conservation and Interaction with our Cultural Heritage: Framework for multi-dimension model based interface 

      Ma, Nan; Laroche, Florent; Hervy, Benjamin; Kerouanton, Jean-Louis (The Eurographics Association, 2013)
      Thanks to rapid development of Virtual Reality technologies, the research is not only limited in military training and scientific visualization realm, it has been expanded into more multidisciplinary areas, such as education, ...

    • Virtual Reconstruction and Experimental Attempt in Archaeology: The Massalian Treasury in Delphi 

      Mulliez, Maud; Jockey, Philippe; Vincitore, Mauro (The Eurographics Association, 2013)
      Around 500 BC, the Massalians went to Delphi to erect a Treasury in Athena's sanctuary. A Treasury is like a small temple. It is, however, both an offering and a place to shelter offerings. The construction of the Treasury ...

    • Visualizing a scanned model for effective heritage interpretation 

      Ahn, Jaehong; Kong, Dal-Yong; Wohn, Kwang-Yun (The Eurographics Association, 2013)
      Scientific analysis of the scanned model can enhance interpretation of heritage. Visualization methods that use various rendering algorithm can reveal geometric features of the model clearly, which may not be recognized ...

    • A War Torn Memory Palace: Animating narratives of remembrance 

      Kenderdine, Sarah; Mckenzie, Heidi (The Eurographics Association, 2013)
      ECLOUD WWI (2012) is a custom designed 9-metre by 3.5-metre interactive 3D projection environment and application developed by the Applied Laboratory for Interactive Visualization and Embodiment (ALIVE), City University ...

    • Web Visualization of Complex Reality-Based 3D Models with Nubes 

      Palacios, Belen Jimenez Fernandez; Stefani, Chiara; Lombardo, Julie; Luca, Livio de; Remondino, Fabio (The Eurographics Association, 2013)
      This paper discusses the fundamental issues of the real-time web-based visualization of complex reality-based 3D models. As web platform, we use NUBES, an innovative and powerful tool for sharing and analyzing reality-based ...

    • The West Digital Conservatory of Archaeological Heritage project 

      Barreau, Jean-Baptiste; Gaugne, Ronan; Bernard, Yann; Cloirec, Gaétan Le; Gouranton, Valérie (The Eurographics Association, 2013)
      The West Digital Conservatory of Archaeological Heritage project, a.k.a. WDCAH, is a new French research organization whose aim is to both ensure the preservation of digital archaeological data, and deliver expertise in ...

    • When script engravings reveal a semantic link between the conceptual and the spatial dimensions of a monument: the case of the Tomb of Emperor Qianlong. 

      Luca, Livio De; Busayarat, Chawee; Domenico, Francesca De; Lombardo, Julie; Pierrot-Deseilligny, Marc; Stefani, Chiara; Wang, Françoise (The Eurographics Association, 2013)
      Like most Chinese imperial tombs, the tomb of Emperor Qianlong consists of a suite of four rooms forming a underground space of 372 m2. Its originality lies in the inscriptions which are engraved on the walls and vaults ...