GCH 2016 - Eurographics Workshop on Graphics and Cultural Heritage

Eurographics DL Repository

GCH 2016 - Eurographics Workshop on Graphics and Cultural Heritage

 

Acquisition and Reconstruction
Automatic Selection of Video Frames for Path Regularization and 3D Reconstruction
Gaia Pavoni, Matteo Dellepiane, Marco Callieri, and Roberto Scopigno
c-Space: Time-evolving 3D Models (4D) from Heterogeneous Distributed Video Sources
Martin Ritz, Martin Knuth, Matevz Domajnko, Oliver Posniak, Pedro Santos, and Dieter W. Fellner
Harvesting Dynamic 3D Worlds from Commodity Sensor Clouds
Tamy Boubekeur, Paolo Cignoni, Elmar Eisemann, Michael Goesele, Reinhard Klein, Stefan Roth, Michael Weinmann, and Michael Wimmer
Visualisation and 3D Printing
Multi-View Ambient Occlusion for Enhancing Visualization of Raw Scanning Data
Manuele Sabbadin, Gianpaolo Palma, Paolo Cignoni, and Roberto Scopigno
A Framework for Compact and Improved Panoramic VR Dissemination
Bruno Fanini and Enzo D'Annibale
A Soft Union based Method for Virtual Restoration and 3D Printing of Cultural Heritage Objects
Robert Gregor, Pavlos Mavridis, Albert Wiltsche, and Tobias Schreck
Scan4Reco: Towards the Digitized Conservation of Cultural Heritage Assets via Spatiotemporal (4D) Reconstruction and 3D Printing
Nikolaos Dimitriou, Anastasios Drosou, and Dimitrios Tzovaras
Heritage Communications
The Missing Scholarship Behind Virtual Heritage Infrastructures
Erik Malcolm Champion
Reflecting on European History with the Help of Technology: The CrossCult Project
Ioanna Lykourentzou, Yannick Naudet, and Luc Vandenabeele
Experience Etruria: a Cross-media Platform for E-culture and Tourism
Antonella Guidazzoli, Giovanni Bellavia, Daniele De Luca, Maria Chiara Liguori, Lorenzo Castiello, and Alessandro Pirotti
A Complete Workflow From the Data Collection on the Field to the Deployment of a Virtual Museum: the Case of Virtual Sarmizegetusa
Adriana Antal, Emilian Bota, Carmen Ciongradi, Enzo D'Annibale, Emanuel Demetrescu, Cristian Dima, Bruno Fanini, and Daniele Ferdani
4D Virtual Reconstruction of White Bastion Fortress
Selma Rizvic, Vensada Okanovic, Irfan Prazina, and Aida Sadzak
Analysis and Interpretation
Wall Painting Reconstruction Using a Genetic Algorithm
Elena Sizikova and Thomas Funkhouser
Feature Identification in Archaeological Fragments Using Families of Algebraic Curves
Maria-Laura Torrente, Silvia Biasotti, and Bianca Falcidieno
Web-based Exploration of Semantically Rich 3D Decorative Ornament
Karina Rodriguez Echavarria, Dean Few, and Ran Song
2D/3D Semantic Annotation of Spatialized Images for the Documentation and Analysis of Cultural Heritage
Adeline Manuel, Philippe Véron, and Livio De Luca
Color Restoration of Scanned Archaeological Artifacts with Repetitive Patterns
Danit Gilad-Glickman and Ilan Shimshoni
Interactive Environments and Applications I
Interactive 3D Exploration of a Virtual Sculpture Collection: an Analysis of User Behavior in Museum Settings
Marco Agus, Fabio Marton, Fabio Bettio, and Enrico Gobbetti
3D in-world Telepresence With Camera-Tracked Gestural Interaction
Erik Malcolm Champion, Li Qiang, Demetrius Lacet, and Andrew Dekker
3-D Digital Preservation of At-Risk Global Cultural Heritage
Nicola Lercari, Jurgen Shulze, Willeke Wendrich, Benjamin Porter, Margie Burton, and Thomas E. Levy
Acquisition and Visualisation
A Practical Reflectance Transformation Imaging Pipeline for Surface Characterization in Cultural Heritage
Irina Mihaela Ciortan, Ruggero Pintus, Giacomo Marchioro, Claudia Daffara, Andrea Giachetti, and Enrico Gobbetti
Using Flash Photography and Image-Based Rendering to Document Cultural Heritage Artifacts
Michael Tetzlaff and Gary Meyer
Semantic-aware Representations
3D Semantic Modelling of Scale Models from 2D Historical Plans
Christine Chevrier
Representation and Visualization of Urban Fabric through Historical Documents
John Samuel, Clémentine Périnaud, Sylvie Servigne, Georges Gay, and Gilles Gesquière
Semantic Structuring and 3D Modeling of Masonry Structure
Kévin Jacquot and Livio De Luca
Interactive Environments and Applications II
Vis-à-vis with Leonardo. Designing Digital Encounters
Mauro Ceconello and Davide Spallazzo
Digital Epigraphic Heritage Made Simple: an Android App for Exploring 3D Roman Inscriptions
Manuel Ramírez, Jose Pablo Suárez, Agustín Trujillo, Pablo Fernández, Jose Miguel Santana, and Sebastián Ortega
On-site AR Interface based on Web-based 3D Database for Cultural Heritage in Egypt
Yoshihiro Yasumuro, Ryosuke Matsushita, Tokihisa Higo, and Hiroshi Suita
Systems and Tools for Interpretation and Documentation
CHER-Ob: A Tool for Shared Analysis in Cultural Heritage
Weiqi Shi, Eleni Kotoula, Kiraz Akoglu, Ying Yang, and Holly Rushmeier
Conservation Digital Report: Standard Documentation in Cultural Heritage
Laura Baratin, Giovanna Scicolone, and Stefano Lonati
3D Documentation and Semantic Aware Representation of Cultural Heritage: the INCEPTION Project
Roberto Di Giulio, Federica Maietti, and Emanuele Piaia
GRAVITATE: Geometric and Semantic Matching for Cultural Heritage Artefacts
Stephen C. Phillips, Paul W. Walland, Stefano Modafferi, Leo Dorst, Michela Spagnuolo, Chiara Eva Catalano, Dominic Oldman, Ayellet Tal, Ilan Shimshoni, and Sorin Hermon
ArchAIDE - Archaeological Automatic Interpretation and Documentation of cEramics
Maria Letizia Gualandi, Roberto Scopigno, Lior Wolf, Julian Richards, Jaume Buxeda i Garrigos, Michael Heinzelmann, Miguel Angel Hervas, Llorenc Vila, and Massimo Zallocco
Acquisition and Processing
Toward a Multimodal Photogrammetric Acquisition and Processing Methodology for Monitoring Conservation and Restoration Studies
Anthony Pamart, Odile Guillon, Jean-Marc Vallet, and Livio De Luca
Accelerating Point Cloud Cleaning
Rickert L. Mulder and Patrick Marais
3D Object Spatial- consistent Texture Maps Appropriate for 2D Image Processing
George Ioannakis, Anestis Koutsoudis, and Christos Chamzas
Interdisciplinary Dialogue Towards an Enhanced Understanding of Optical Techniques for Recording Material Cultural Heritage - Results of a COST Action
Frank Boochs, Anna Bentkowska-Kafel, and Stefanie Wefers

Recent Submissions

  • Boochs, Frank; Bentkowska-Kafel, Anna; Wefers, Stefanie (The Eurographics Association, 2016)
    The COST Transdomain Action TD1201, Colour and Space in Cultural Heritage [COSb], 2012-2016, contributes to the conservation and preservation of cultural heritage (CH) by enhancing shared understanding, between experts ...
  • Ioannakis, George; Koutsoudis, Anestis; Chamzas, Christos (The Eurographics Association, 2016)
    The aim of this work is to generate a spatial-consistent UV maps of a 3D object's texture suitable for 2D image processing algorithms. An approach to produce such a fully spatially consistent UV mapping suitable for image ...
  • Mulder, Rickert L.; Marais, Patrick (The Eurographics Association, 2016)
    A laser scanning campaign to capture the geometry of a large heritage site can produce thousands of high resolution range scans. These must be cleaned to remove noise and artefacts. To accelerate the cleaning task, we can ...
  • Pamart, Anthony; Guillon, Odile; Vallet, Jean-Marc; Luca, Livio De (The Eurographics Association, 2016)
    Close-range photogrammetry is nowadays a common technique applied to acquire 3D data on Cultural Heritage (CH) artifacts. Image-based modeling are indeed providing useful resources for the documentation and the conservation ...
  • Phillips, Stephen C.; Walland, Paul W.; Modafferi, Stefano; Dorst, Leo; Spagnuolo, Michela; Catalano, Chiara Eva; Oldman, Dominic; Tal, Ayellet; Shimshoni, Ilan; Hermon, Sorin (The Eurographics Association, 2016)
    The GRAVITATE project is developing techniques that bring together geometric and semantic data analysis to provide a new and more effective method of re-associating, reassembling or reunifying cultural objects that have ...
  • Giulio, Roberto Di; Maietti, Federica; Piaia, Emanuele (The Eurographics Association, 2016)
    As part of 3D integrated survey applied to Cultural Heritage, digital documentation is gradually emerging as effective support of many different information in addition to the shape, morphology and dimensional data. The ...
  • Gualandi, Maria Letizia; Scopigno, Roberto; Wolf, Lior; Richards, Julian; Garrigos, Jaume Buxeda i; Heinzelmann, Michael; Hervas, Miguel Angel; Vila, Llorenc; Zallocco, Massimo (The Eurographics Association, 2016)
    The goals of H2020 project "ArchAIDE: are to support the classification and interpretation work of archaeologists with innovative computer-based tools, able to provide the user with features for the semi-automatic description ...
  • Baratin, Laura; Scicolone, Giovanna; Lonati, Stefano (The Eurographics Association, 2016)
    The 'documentation', in general terms, is the need to gather informations collected for a specific topic so they can be available now and in the future. Obtaining the information is a process that involves many steps: the ...
  • Ramírez, Manuel; Suárez, Jose Pablo; Trujillo, Agustín; Fernández, Pablo; Santana, Jose Miguel; Ortega, Sebastián (The Eurographics Association, 2016)
    Spain keeps an exceptional epigraphic heritage, dated from the Roman civilization, that integrates thousands of Latin inscriptions nowadays disseminated along the Iberian peninsula. For many purposes such as education, ...
  • Shi, Weiqi; Kotoula, Eleni; Akoglu, Kiraz; Yang, Ying; Rushmeier, Holly (The Eurographics Association, 2016)
    The study of cultural heritage involves many different activities, including digital data visualization, information analysis and sharing results. Current technologies focus on providing better tools for data representation ...
  • Yasumuro, Yoshihiro; Matsushita, Ryosuke; Higo, Tokihisa; Suita, Hiroshi (The Eurographics Association, 2016)
    We have been developing a web-based 3D archiving system for supporting the diverse specialties and nationalities needed for carrying out the survey and restoration work of the archaeological project at the Mastaba of Idout ...
  • Jacquot, Kévin; Luca, Livio De (The Eurographics Association, 2016)
    Studies of architectural heritage require tight control over spatial data. It is an prerequisite for the representation, analysis, conservation and structural restoration of architectural heritage. As regards the morphology ...
  • Ceconello, Mauro; Spallazzo, Davide (The Eurographics Association, 2016)
    The paper describes, frames and analyses the exhibit Leonardo Plays Leonardo. Milan. Life. Nature. at Fondazione Stelline in Milan. This gesture-based interactive installation, located in the cloister of Palazzo delle ...
  • Samuel, John; Périnaud, Clémentine; Servigne, Sylvie; Gay, Georges; Gesquière, Gilles (The Eurographics Association, 2016)
    Documents serve an important role in understanding change in urban fabric. The available multidimensional (spatial, temporal and thematic) information in these documents narrate not only the various features of the elements ...
  • Chevrier, Christine (The Eurographics Association, 2016)
    The French collection of Plans-Reliefs, scale models of fortified towns, are an exceptional architectural heritage. Many cities, represented on these plans-reliefs, would like to expose, develop and exploit this historical ...
  • Tetzlaff, Michael; Meyer, Gary (The Eurographics Association, 2016)
    A novel image-based rendering system is proposed for documenting cultural heritage artifacts. The system utilizes backscattering photography to acquire the initial pictures and derives estimates for the object's diffuse ...
  • Ciortan, Irina Mihaela; Pintus, Ruggero; Marchioro, Giacomo; Daffara, Claudia; Giachetti, Andrea; Gobbetti, Enrico (The Eurographics Association, 2016)
    We present a practical acquisition and processing pipeline to characterize the surface structure of cultural heritage objects. Using a free-form Reflectance Transformation Imaging (RTI) approach, we acquire multiple digital ...
  • Champion, Erik Malcolm; Qiang, Li; Lacet, Demetrius; Dekker, Andrew (The Eurographics Association, 2016)
    While many education institutes use Skype, Google Chat or other commercial video-conferencing applications, these applications are not suitable for presenting architectural or urban design or archaeological information, ...
  • Agus, Marco; Marton, Fabio; Bettio, Fabio; Gobbetti, Enrico (The Eurographics Association, 2016)
    We present a usage analysis of an interactive system for the exploration of highly detailed 3D models of a collection of protostoric mediterranean sculptures. In this system, after selecting the object of interest inside ...
  • Lercari, Nicola; Shulze, Jurgen; Wendrich, Willeke; Porter, Benjamin; Burton, Margie; Levy, Thomas E. (The Eurographics Association, 2016)
    Recent current events have dramatically highlighted the vulnerability of the world's material cultural heritage. The 3-D Digital Preservation of At-Risk Global Cultural Heritage project, led by Thomas Levy at UC San Diego, ...

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