Now showing items 3-13 of 13

    • Generating Knitting Patterns from a Sketch: a CSP Approach 

      Kryven, Marta; Fourquet, Elodie (ACM, 2013)
      Graphic patterns in knitting are composed of relatively large pixels and create a picture when seen from a distance, while on close viewing the image falls apart into its constituent stitches. Such patterns are constrained ...
    • Generative Fluid Profiles for Interactive Media Arts Projects 

      Forbes, Angus Graeme; Höllerer, Tobias; Legrady, George (ACM, 2013)
      This paper presents a real-time, interactive fluid simulation and vec- tor visualization technique that can be incorporated in media arts projects. These techniques- referred to collectively as the Fluid Automata system- ...
    • How Self-Similar are Artworks at Different Levels of Spatial Resolution? 

      Amirshahi, Seyed Ali; Redies, Christoph; Denzler, Joachim (ACM, 2013)
      Recent research has shown that a large variety of aesthetic paintings are highly self-similar. The degree of self-similarity seen in artworks is close to that observed for complex natural scenes, to which low-level visual ...
    • Morphable guidelines for the human head 

      Gao, Shelley; Werner, Christopher; Gooch, Amy A. (ACM, 2013)
      We present a system to help users achieve better face warping on 2D portrait images. Faces can be difficult to warp accurately because the rotation of the head affects the shape of the facial features. We bypass this problem ...
    • Non-Photorealistic Rendering with Spot Colour 

      Rosin, Paul L.; Lai, Yu-Kun (ACM, 2013)
      Colour is an important aspect of art. Not only does it give richness to images, but it always provides a means to highlight certain objects. This idea of spot colour has been used extensively in both fine art and commercial ...
    • Patch-Based Geometric Texture Synthesis 

      AlMeraj, Zainab; Kaplan, Craig S.; Asente, Paul (ACM, 2013)
      Inspired by the results of recent studies on the perception of geometric textures, we present a patch-based geometric synthesis algorithm that mimics observed synthesis strategies. Our synthesis process first constructs ...
    • Perceiving Complex Causation Through Interaction 

      Ware, Colin (ACM, 2013)
      When we interact with a touch screen computational device we have the strong subjective impression that we are directly causing changes that occur on the screen. For example, sliding a finger on a screen causes scrolling ...
    • Preface and Table of Contents 

      Donald House and Cindy Grimm (ACM, 2013)
    • Real-Time Rendering of Water Surfaces with Cartography-Oriented Design 

      Semmo, Amir; Kyprianidis, Jan Eric; Trapp, Matthias; Döllner, Jürgen (ACM, 2013)
      More than 70 percent of the Earth's surface is covered by oceans, seas, and lakes, making water surfaces one of the primary elements in geospatial visualization. Traditional approaches in computer graphics simulate and ...
    • Simple Art as Abstractions of Photographs 

      Hall, Peter; Song, Yi-Zhe (ACM, 2013)
      This paper shows that it is possible to semi-automatically process photographs into Simple Art. Simple Art is a term that we use to refer to a group of artistic styles such a child art, cave art, and Fine Artists as ...
    • Virtual Photograph Based Saliency Analysis of High Dynamic Range Images 

      Gao, Xihe; Brooksy, Stephen; Arnold, Dirk V. (ACM, 2013)
      Computational visual attention systems detect regions of interest in images. These systems have a broad range of applications in areas such as computer vision, computational aesthetics, and nonphotorealistic rendering. ...