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Comparing 3D digitising technologies: where are the differences?
(The Eurographics Association, 2013)
We tested five 3D digitization systems and one method of 2D+ recording on one object: a human skull from the Royal Belgian Institute of Natural Sciences collection (RBINS). We chose a skull because it has both simple and ...
Cellars of Paris, under the cobbles, cellars!
(The Eurographics Association, 2013)
This project of systematic investigation of Parisian cellars is by nature pluri-disciplinary. It relies on the complementary skills of historians, architectural historians, archaeologists, architects and engineers. For ...
The patrimonialization process of advertising : from scorn and mistrust to documentary heritage, archive, and history
(The Eurographics Association, 2013)
This short essay aims at tracing the patrimonialization process of advertising from the 19th century to nowadays. The process followed third steps. First, advertising evolved from a despised object to a valuable cultural ...
Realistic Virtual Reproductions. Image-based modelling of geometry and appearance
(The Eurographics Association, 2013)
Existing technologies for contact-less 3D scanning and Image Based Modelling (IBM) methods are being extensively used nowadays to digitize cultural heritage elements. With a convenient degree of automation these methods ...
Monitoring and conservation of archaeological wooden elements from ship wrecks using 3D digital imaging
(The Eurographics Association, 2013)
In marine archaeology, many artifacts made of metallic or organic material are found in different state of conservation depending of the environment in which they are discovered. Once brought to the surface for study or ...
Home, sense of place and visitors intepretation of digital cultural immersive experiences in museums.
(The Eurographics Association, 2013)
What is the relationship between the visitor's hybrid identity and his/her interpretation process? How can his/her relationship with one or more places affect the understanding of a real place, a virtual place, or a digital ...
Documentation and dissemination of Cultural Heritage: current solutions and considerations about its digital implementation
(The Eurographics Association, 2013)
Dissemination of architectural and archaeological Cultural Heritage is a relevant task in the process of its documentation and has to reach the wider audience possible. Digital implementation is today a must, and is more ...
Building Information Modelling and the Documentation of Architectural Heritage: between the typical and the specific
(The Eurographics Association, 2013)
One of the greatest challenges to using Building Information Modelling (BIM) for the documentation of architectural heritage is in overcoming the propensity of the software toward standardization. Most BIM applications are ...
Automatic creation of bas-relieves from single images
(The Eurographics Association, 2013)
When we think to bas-relieves it is natural to compare them with sculptures, because they share some common properties such as techniques, materials and shapes. However, from a different perspective, bas-relieves have even ...
V-embodiment for Cultural Heritage
(The Eurographics Association, 2013)
The paper argues that there is a need to consider sentient engagement in the digital expressions of cultural heritage. Focusing on full body 'natural interaction' the presentation looks at strategies for a phenomenological ...